Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Friday, July 20, 2012

How to comfort someone when they're upset (properly)



We’ve all been there. We’re upset and all we need is to be comforted by our friends and family with a hug and a few nice words. Except what do we get? “Plenty more fish in the sea”, “Oh I’ve been through this all before, when this happened to me bla bla…”, “A year from now you‘ll look back and laugh”, “You’ll be fine, chin up and think positively.”

Are these the kind comforting words we would like to hear when we are sad from a break up, the death of a loved one, a betrayal, a shock diagnosis, or even a natural disaster?  

No! Do they make us feel better? No! Do we really want to listen to our friend bang on about their experience when - hello! - we’re the ones whose lives have just fallen apart? No!

And then there’s the other scenario where you find yourself experiencing a friend go through an upsetting time. You struggle to find the appropriate words to comfort them and end up saying things that don’t help at all.

So where did this rant come from? Did I recently suffer a break up? Did my dog die? Well no, my life is actually pretty darn good at the moment, although of course I have experienced those things in the past. But what brought this to my attention is a book.

Ever since I started working for a non-fiction book publisher I’ve learnt so much wisdom. I’ll be honest I had never picked up a self-help book before I begun working here (no not even The Secret - which might I had is a total crock!). But because I’m pretty much forced to read these books so I can generate publicity for them I’ve got to say I’ve become pleasantly surprised with this water-and-pebbles genre.

I intend to share a lot more book wisdom in future blog posts but for now I will focus on one book in question, and that is The Reality Slap by Dr. Russ Harris. Now a reality slap is exactly the scenarios I mentioned at the beginning of this post. It’s something that hits you right in the face, changes your life and leaves you picking up the pieces wondering where it all went wrong. Yes, divorce, death, separation, depression, all those lovely things that make life, life.

As I was reading through The Reality Slap gathering intel so I could write the press release for it, I came across Chapter 3 entitled “A caring hand”. Instantly I was mesmerised. You know when you’re reading a book and you struggle to really concentrate and focus on what it’s saying? (That’s for another day, thank you Mindfulness For Life). Well this chapter had me hooked and it’s because it was just so true.

Russ says, “When reality slaps you hard and leaves you reeling, what do you want from the people you love? Most of us want pretty much the same thing. We want to know there is someone there for us: someone who truly cares about us; someone who takes the time to understand us; someone who recognises our pain and appreciates how badly we are suffering; someone who will make the time to be with us and allow us to share our true feelings, without expecting us to cheer up or put on a brave face and pretend everything is okay; someone who will support us, treat us kindly and offer to help; someone who demonstrates through their actions that we are not alone.”

Isn’t that lovely? Wouldn’t we all love a friend like that? Russ says that some people respond to our pain very well (like said description) and some people do not, and that is because often people just don’t how to respond. Why? Because society hasn’t taught us what to do!


Admit it, you’ve probably said or done (maybe not knowingly) at least one of the following to someone you know who was upset:

  • You quoted proverbs: ‘Plenty more fish in the sea’, ‘Time heals all wounds’, ‘Every cloud has a silver lining’.
  • You told them to ‘think positively’.
  • You asked about their situation, but then quickly changed the subject.
  • You gave them advice: ‘What you should do is this’, ‘Have you thought about doing such and such?’
  • You trumped their pain: ‘Oh yes, I’ve been through this many a time myself. Here’s what worked for me.’
  • You trivialised or diminished their pain: ‘Put into perspective, there are kids starving in Africa ...’
  • You tried to distract them from their pain: ‘Let’s get drunk!’ ‘Let’s go out and have some fun’, ‘Let’s eat some chocolate’, ‘Let’s watch a movie’.
  • Not visit them or spend time with them or even actively avoiding them.
  • Giving them factual information related to the issue, and/or strategies to deal with it, without first asking about they feel.
  • Trying to minimise their pain: ‘You’ll look back on this and laugh’, ‘A year from now, this will be a distant memory’.
  • Insulting them: ‘You’re making a big deal out of nothing’, ‘Take it like a man’, ‘Grow up!’
  • Blaming them: ‘You brought this on yourself’, ‘If you hadn’t done X, Y and Z, then this would never have happened’, ‘I warned you this would happen’.

Do any of these sound familiar?

So what should we do when something incredibly painful, hurtful or stressful happens to someone in our life?

Russ says that first of all, as a general rule, a compassionate response must come before anything else. If someone leaps in with advice, proverbs, positive thinking or action plans, without first demonstrating their compassion, we are likely to feel upset, annoyed, offended, hurt or irritated — often without quite realising why this is.
“When we are hurting, most of us want to feel understood, accepted and cared for before we are ready to start looking for solutions or strategies, or new ways of thinking about a situation. After we feel understood, accepted and cared for, we may then be grateful for some of those responses on the list above. But obviously not for the offensive ones — when someone blames us, or minimises our problems, or tells us that we should be stronger, naturally we will feel even worse.”
Here are some compassionate responses that safely meet the criteria for most people:
  • Giving them a hug, embrace or a cuddle.
  • Holding their hand.
  • Placing an arm around them.
  • Validating their pain: ‘This must be so hard for you’ or ‘I can’t begin to imagine what you’re going through’ or ‘I can see you’re in terrible pain’.
  • Saying nothing, just sitting with them and allowing them to be.
  • In some circumstances, such as a painful loss, you may hold them while they cry, or even cry with them.
  • Offering support: ‘Is there anything I can do to help?’
  • Asking how they feel.
  • Sharing your own reactions: ‘I’m so sorry’ or ‘I’m so angry’ or ‘I feel so helpless. I wish there was something I could do’ or even ‘I don’t know what to say’.
  • Creating space for their pain: ‘Do you want to talk about it?’ or ‘It’s okay to cry’ or ‘We don’t have to talk. I’m happy just to sit here with you’.
  • Giving support unconditionally, such as making dinner for them, or taking care of their kids, or helping them out with their daily tasks.
  • Making the effort to actually go and visit them, and spend some time with them in person.
  • Genuinely listening, as they tell you about what they’re going through.
  • Saying something like, ‘I’m here for you’ and genuinely meaning it
These sorts of responses all send the same message: I’m here for you, I care about you, I accept you, I understand you, I see you’re in pain, and I want to help.

So hopefully the next time you find yourself with a friend or relation hurting you’ll now know the best way to support and comfort them and to truly be a good friend. And fingers crossed your friends and family know too! 

*Extracted from The Reality Slap by Dr. Russ Harris.

Thursday, June 7, 2012

The Annual Book Design Awards 2012

"Never judge a book by it's cover". We've all heard that proverb so many times we probably mutter it while we sleep. And yet we're all guilty of doing it. It's in our nature, shit cover = shit book. If something doesn't visually please us we don't buy, hence why magazines are slaves to photoshop.

Of course we're all wrong, just because the cover is crap doesn't mean it isn't a good book. My boss has looked back on a few books of ours and thought what were we thinking? But maybe the publisher was battling it out with the cover designer, or the sales and marketing team didn't like it, or it was decided on without any proper consultation with the rest of the team due to time constraints or avoiding conflict. And of course design is constantly moving through trends (you can always tell a book published in the 80's compared to now). And there are trends according to genre as well. Self-help books have the usual pebbles stacked on top of one another, lots of water, etc. When we were discussing our Mindfulness For Life cover we were up in arms that the designer had chosen more water plus a bridge. But the truth is if we didn't have these elements it wouldn't be an authentic self-help book. People who are looking for a self-help book expect those elements to be there and if they're not then it misses the mark. So we succumbed to the water and actually love the cover now!

Covers are such a contentious choice. About once a month our boss calls us into her office and shows us a range of covers sent by the designer. Sometimes we agree with each other, sometimes we don't. Some of us love the background image, hate the font, or feel so-so about the colour. Some books have even had to be rescheduled because of cover art issues. Some people argue that it's not the cover but the spine that is the most important; for in a book shop most non-fiction books are placed spine out with only a select few being placed flat on their paper backs.

This year at the Annual Book Design Awards held by the APA there were many beautiful covers entered and some not so beautiful. But as another proverb famously states: "Beauty is in the eye of the beholder"! Here is what Bookseller + Publisher reported of the winners...

‘Publishers and designers need to take more chances’ was the message from the judges at this year’s APA Book Design Awards, held at the Powerhouse Museum on 17 May as part of the Sydney Writers’ Festival. ‘Shelves are full of books that look like each other and publishers are understandably cautious in approving edgy or radically different designs. But in order to capture public attention and move forward as an industry we need to be bold and courageous, to take leaps of creative faith and continue to push the envelope as far as it will go,’ the judges said.

After a four-year winning streak from Murdoch Books, Powerhouse Publishing picked up the Best Designed Book of the Year award for the exhibition catalogue Love Lace: Powerhouse Museum International Lace Award, designed by Sydney-based Dutch-European designers Toko. ‘[This] was the book that ultimately stood out from all the others,’ said the judges. ‘It is a great package all round—tactile and tasteful. The cover is excellent and the foldout poster works beautifully. The choice of using two different paper stocks, something rarely seen, has come off and the decision to use only one colour in some sections is elegant. The strong colours are a great way to deal with this feminie subject.’



The Young Designer of the Year award went to Hannah Robinson for her work on And Red Galoshes (Hardie Grant Egmont), The Elegant Art of Falling Apart (Hachette Australia), Wide Open Road (ABC Books) and Chasing Odysseus (Pantera Press)—‘all four books from different genres and each targeting different audiences’. The judges commended Robinson’s ‘willingness to try different things and confidence in their execution’.

The Best Designed Cover of the Year award went to The Art of Pasta (Penguin), designed by Daniel New, which the judges described as ‘very much an anti-celebrity cookbook ... aiming for elegance not edginess or gloss’. The judges praised the ‘clean crisp’ combination of watercolour and illustration.
The Best Designed Children’s Cover of the Year award went to Text designer WH Chong for the distinctive upside-down cover of August. ‘This cover is so clever and plays with the idea of what a book is,’ said the judges. ‘It plays with the traditions of where things should be and even includes a hand drawn barcode.’ They also observed that ‘the illustration itself places the novel in the YA category without alienating potential adult readers’.





Other awards presented on the night were:
Best Designed Fiction Book
Love in the Years of Lunacy (Mandy Sayer, A&U), designed by Emily O'Neill
The judges commended the book’s ‘elegant, classic cover appropriate for its genre’ and its ‘great romantic choice of type’.
Best Designed Nonfiction Book
Hiroshima Nagasaki (Paul Ham, HarperCollins), designed by Matt Stanton and HarperCollins Design Studio
This book impressed the judges with its ‘unusual approach in its genre’. ‘The whole package is tactile—particularly the embedded sticker on the cover—and steps away from where you would expect such a serious book to be pitched, without minimising the subject.’
Best Designed Literary Fiction Book
Foal's Bread (Gillian Mears, A&U), designed by Sandy Cull, gogoGinko, and Yolande Gray
The judges thought this book was a stand-out from the start. ‘The image of the horse is amazing, alive and moving. Stunning. The whole book is tactile—the jacket cover and back cover is outstanding.’
Best Designed General Illustrated Book
The Flight Attendant's Shoe (Prudence Black, NewSouth), designed by Di Quick
‘A classy production and the rhythm of the design in the different parts makes the book look very interesting,’ said the judges.
Best Designed Specialist Illustrated Book
Love Lace: Powerhouse Museum International Lace Award (Powerhouse Publishing), designed by Toko
Best Designed Children's Fiction Book
Alaska (Sue Saliba, Penguin), designed by Allison Colpoys)
Best Designed Children's Nonfiction Book
Drawing Life for Kids: My Art Journal (Queensland Art Gallery), designed by Amy Moore and Sally Nall
Best Designed Children's Picture Book
Ben & Duck (Sara Acton, Scholastic), designed by Nicole Stofberg
Best Designed Children's Series
Star League 1: Lights, Camera, Action Hero! (H J Harper, Random House), designed by Nahum Ziersch and Astred Hicks, Design Cherry
Best Designed Young Adult Book
August (Bernard Beckett, Text), designed by WH Chong and Susan Miller
Best Designed Reference and Scholarly Book
Swainston's Fishes of Australia (Roger Swainston, Penguin), designed by Clare Tice
Best Designed Primary Education Book
Pearson Library, Life Cycles of Australian Animals: Echidna (Greg Pyers, Pearson), designed by Glen McClay and Nikola Kyle
Best Designed Secondary Education Book
Oxford Big Ideas Australian Curriculum, Mathematics 8 (Nolan et al, OUP), designed by Sandi Dani and Trampoline, and Santiago Villamizar

Best Designed Higher Education and Tertiary Book (tied)
Graphic Design, Australian Style Manual (Barnum et al, McGraw-Hill), designed by Astred Hicks and Emily and John Gregory
Principles of Microeconomics, 5th edition (Gans et al, Cengage), designed by Leigh Ashforth and Olga La












What do you think of the winners?

Friday, April 13, 2012

Living overseas

Sweden - my dear old home
I’m reading a book at the moment called Beijing Tai Tai. It’s by one of our truly lovely authors Tania McCartney. In it she tells the tale of how her family were uprooted from their quiet life in suburban Canberra to the fast paced, smog choked, millions of people filled city that is Beijing, China. They had to go and they had to go for four years. The book is full of tales about their life in China; the food they ate, how they lived, how different Chinese people are to us, the nightmare trips to hair salons, the markets, temples and strange (not to mention some very disgusting) Chinese traditions.

Reading Beijing Tai Tai made me reminisce about my own experience of living in another culture. There’s nothing quite like packing up and moving overseas to a foreign country to make you realise just how different your quaint little life in Australia is compared to the rest of the world.

I was 20 and eager to see a piece of the world so I moved to Sweden. By myself. I’d never been on a plane, ever. It took me 30 hours and three flights to get there but I got there. And when I finally arrived I suddenly found myself alone and terrified. I thought to myself "What was I thinking!".

But the next 6 months were the time of my life. I met and made friends with people from all over the world. I was immersed in a culture extremely different to my own and a language I couldn't understand (bar a few words). I grew to love the food, the shopping, the nights out, riding my bicycle everywhere, catching the tram, the snow, the cold, living in an apartment by myself, the lack of any sort of bugs/insects.

Sweden was the best time of my life. I didn’t want to come home and when I finally did it was like nothing had changed – and really it hadn’t. I came home to my same room and my same friends. It was like I just took off from where I left. Of course I was changed - you don’t fly half way around the world by yourself and not grow in someway. I came back and could truly appreciate my home and our laid back Aussie lifestyle.

Now, I’m 23 1/2 (to be precise) and I look back on that time in Sweden as a fond distant memory still not quite believing that I actually did it. But I'm glad and proud that I had the guts at such a young age. I think if your faced with an opportunity TAKE IT, don’t let fear hold you back. As Tania says: home will always be there.

When I returned home I had had enough of travelling for awhile. I was sick of packing, I was sick of lugging a heavy suitcase around, I was sick of the stress of planning and organising where to go and what to do, I was sick of hanging around airports for hours. But now after reading Beijing Tai Tai and how Tania became emersed in the culture of China I'm craving that feeling of living in a foreign country again. But where would I go? I’d love to live in Oslo, Norway but how would I go for work? The UK? Everyone goes there. Switzerland? Hmm…
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